Cristina Enrich is an emerging filmmaker and production manager from Menorca, specialized in non-fiction. She graduated in Audiovisual Communication from the Universitat Politècnica de València. During her time in Valencia, she directed her first stop-motion short film El secreto que se esconde bajo la madera and produced music videos and creative pieces such as Guilty Pleasure, awarded at the Berlin Fashion Film Festival. Upon returning to Menorca, she continued her career as a photographer for the Consell Insular de Menorca (2023-2024) and joined the production of documentaries such as Un ram de locura (2025) and Menorca Talaiòtica. El llegat de les pedres (2024). She is currently pursuing a Master’s in Social Documentary (Universitat de Vic), consolidating her authorial gaze focused on local stories and environmental issues.
Aigua Dolça (wip). Flora and Marc, two Menorcans deeply rooted in their land, face dry wells and ravines in decline due to the water crisis in Menorca. Aigua Dolça is an intimate portrait of two lives and an island striving to live in harmony with a natural environment that calls for attention before it is too late.

Joana Brabo’s artistic practice revolves around the word as a plastic, sonic, and spatial material. Her approach to language stems from a relationship with the visual and sonic form of the word. Inspired by phonetics and the radical typographic use of Russian avant-gardes and Dada, she explores unconventional ways of presenting text, shifting it from its purely literary function towards a visual, performative, and spatial territory. In her practice, the word fragments, expands, and moves across different supports: the page, the wall, sign languages, or performative action. Language thus emerges as a field of experimentation where text, image, sound, and gesture coexist and intermingle.
Since 2023, she has been developing projects with deaf people using sign language, where communication acquires a new layer of corporeality and presence.
Sign Language at Full Volume is a short documentary project featuring deaf signers, offering insight into a unique way of perceiving and connecting with the environment. From Menorca, in a context shaped by insularity and a rural setting, the film seeks to portray a community that has built its identity amid structural barriers and limited resources, using percussion as a tool for expression and advocacy.

Nina Cholet filmmaker, supported by Ciclic as an author from the Centre Region (Fr). His short documentary Sentinelles received the Grand Prix Festival À l’Est and his films were presented among others at the Maison Européenne de la Photographie, Kyotographie, Ovni, Dansfestivalen, Les Rdv de l’Histoire, Escale Documentaire, Doc de Noirmoutier, Fish&Film. She is at the crossroads of documentary, analog and experimentation for a research on the links sensitive to memory and living, through a sensory approach of documentary, essays, art films and music videos. She explores bridges between scientific research and organic approach and develops an environmentally conscious practice by exploring a decolonized cinematographic process of industrial chemistry for an analog artisanal practice developed from plants.
Piel del Mar is an analog documentary short film conceived as a sensory and political journey that explore the meadows of posidonia of Menorca’s coast. A voice guides us through a submerged world where the sea plant becomes memory, skin and film of the land.

Anna Petrus is a filmmaker, programmer, professor, and researcher from Menorca, currently based in Barcelona. Her films have been screened at major festivals such as the Festival des Films du Monde de Montréal, Sitges, Gijón, Zinebi, and Abycine, among many others.
She has worked as a film critic for publications such as Dirigido por and the Cultura/s supplement of La Vanguardia, among others. She has also served as artistic director of the DocsBarcelona Film Festival (2023–2024) and the Memorimage Film Festival, an event dedicated to archival cinema (2020–2024).
She is a co-founder of Dones Visuals, the association of women filmmakers in Catalonia, and was a board member for seven years (2017–2024). She has recently collaborated with Diari Ara, where she has written about cinema, documentary, visual culture, and feminism.
She currently teaches film and documentary at Universitat Pompeu Fabra and ESCAC, and is developing her next fiction feature film, titled Ulls de Gat.
