{"id":4020,"date":"2026-03-04T10:42:50","date_gmt":"2026-03-04T10:42:50","guid":{"rendered":"https:\/\/casadartistes.esfarcultural.net\/?page_id=4020"},"modified":"2026-03-04T10:45:46","modified_gmt":"2026-03-04T10:45:46","slug":"podcast","status":"publish","type":"page","link":"https:\/\/casadartistes.esfarcultural.net\/en\/podcast","title":{"rendered":"PODCAST"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1610971923298{padding-top: 10px !important;padding-bottom: 20px !important;}&#8221;][vc_column][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<h1 style=\"text-align: left;\"><strong>PODCAST RESIDENCE<\/strong><\/h1>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<h3><span style=\"color: #ff0000;\">Selected artist<\/span><\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_empty_space][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<h5 style=\"text-align: left;\"><span style=\"color: #ea2d2e;\"><b>NEREA ITSASO<\/b><\/span><\/h5>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;&#8221;]<\/p>\n<p style=\"font-weight: 400; text-align: justify;\"><span style=\"font-weight: 400;\"><span style=\"font-weight: 300;\">Her career began in filmmaking with the short film <i>Jo soc tu i tu ets jo<\/i>, a fairy tale co-written and co-directed by her. Her passion for screenwriting led her to specialize in writing and to work at True Crime Factory as a writer for the podcast <i>\u00bfPor qu\u00e9 matamos?<\/i> and as an archive manager at <i>Crims<\/i>. That experience shaped her approach, as treating fiction as reality and reality as fiction has become the central axis of her projects. She is currently writing and directing the play <i>Nina Ning\u00fa<\/i>, a tragicomic clash of fluid identities and relationships, together with the emerging Barcelona-based company Betikoa. In the long term, she is developing the feature film script <i>Narc\u00eds<\/i>, a story of \u201clove\u201d and power that reflects her interest in narratives with a pleasing rhythm and an unsettling critique.<\/span><\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_empty_space][vc_single_image image=&#8221;4021&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; onclick=&#8221;custom_link&#8221; img_link_target=&#8221;_blank&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_separator type=&#8221;normal&#8221; border_style=&#8221;&#8221; color=&#8221;#0a0a0a&#8221;][vc_empty_space][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1610971923298{padding-top: 10px !important;padding-bottom: 20px !important;}&#8221;][vc_column][vc_empty_space][vc_column_text css=&#8221;&#8221;] PODCAST RESIDENCE [\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;&#8221;] Selected artist [\/vc_column_text][vc_empty_space][vc_empty_space][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; use_row_as_full_screen_section_slide=&#8221;no&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_empty_space][vc_column_text css=&#8221;&#8221;] NEREA ITSASO [\/vc_column_text][vc_empty_space][vc_column_text css=&#8221;&#8221;] Her career began in filmmaking with the short film Jo soc tu i tu&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4020","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/pages\/4020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/comments?post=4020"}],"version-history":[{"count":4,"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/pages\/4020\/revisions"}],"predecessor-version":[{"id":4025,"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/pages\/4020\/revisions\/4025"}],"wp:attachment":[{"href":"https:\/\/casadartistes.esfarcultural.net\/en\/wp-json\/wp\/v2\/media?parent=4020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}